radiothebook Chapter 312 Yasheng
Chapter 312 Yasheng
Chapter 312 Yasheng
The time finally came to February 26th, Wednesday.Today is the fourteenth day of the first lunar month, and it is also the day that Du Shouyi and Gong Xiaobei have been looking forward to for a long time.
Early in the morning, the young couple disappeared from the courtyard quietly without disturbing anyone.
"Are you going to Shidu today?"
"Well, it's in Fangshan, beside the Juma River. The scenery is very nice, and there is a thousand-year-old vine on the mountain."
Shidu is the only karst landform area in the north, and the scenery is naturally good.Du Shouyi liked the scenery there very much, and he had been here more than three or four times while the Xiaobei militiamen were training.However, Shidu in the 60s had not yet undergone tourism development. At this time, the roads in and out of the town were difficult to walk, let alone the mountain roads.
'Teleportation' cannot take Xiaobei with me, so 'Shidu' was not included in the play plan, but after signing in to 'Yuebu' on the day of Lichun, the situation is different
Mrs. Wei, Ouyang Xun, and Shangguan Wan'er in Pesticides all said: It is like a thousand miles of clouds, and it is like a long-lived dry vine.
Du Shouyi had heard this from his calligraphy teacher since he was a child. Today he went to take a good look at Shidu Guteng, but he still didn't see anything.But come here with pleasure, come back with all your heart's content, the two of them really had a good time this day, it doesn't matter if they understand or not.
After soaking in the hot springs in Xiaotangshan, the two went to watch a movie.As soon as the movie started, Xiaobei was so tired that he fell asleep leaning on his shoulder.Looking at the flickering big screen, Du Shouyi couldn't help laughing silently remembering the daytime scene.
He really couldn't take out his 'moon step' to meet outsiders, the sound of 'bang bang bang' was loud, like a three-jumper with indigestion coming from the air, frightened the sky and the ground, birds and animals ran away.
After thinking about it, he was suddenly attracted by a camera cut on the screen, and a flash of lightning flashed across his mind: Montage? !Wang Xizhi is playing montage? !
For a smooth film, the order of its shots is chaotic during filming. Only through editing and restoration during post-production can the director's ideas be fully and clearly presented to the audience.
In other words, the audience needs a smooth narrative, they need the movie to go backward frame by frame to understand, but the director doesn't need it at all.
It doesn't matter to the director which shot comes first and which shot comes later, because the whole story is already formed in his mind.When it comes to editing, he will naturally stitch it together.
Isn't that what Wang Xizhi Wang did?
He writes like a director makes a movie.First break apart and crumble the calligraphy elements, and then through my own understanding, piece them together one by one, so that they can be presented in the most elegant and appropriate posture.
The paper is the lens screen, the pen and ink are his actors, a piece of work is a complete movie, and every stroke is a performance.
Because the bamboo in Shusheng's chest is too big, so the brush is the law.Even those unbelievable inverse strokes and jumping strokes have become the "actors" improvising paragraph by paragraph, and the actor-level performance
"After a long time, calligraphy is still a film art?" Du Shouyi was taken aback by his 'brain hole'.
"What did you say?" Xiao Bei was woken up by his muttering.
"This movie is really good. If you squint for a while, it's still early."
The stroke problem is still far away from being solved, but at least there is a hazy direction for now.And some problems are difficult to solve even if there is a clear direction, such as the problem of belief.
Wang Xizhi is proficient in the three schools of Confucianism, Buddhism and Taoism, and there are "yin and yang" of Taoism everywhere in his characters.The thickness of the pen and ink, the thickness of the strokes, the size of the font, and so on.
These are things that are deeply imprinted in his bones.You don't have to do it deliberately, as soon as you pick up the pen, it will flow out naturally.
But what would Du Shouyi do?He also went to believe?After so many years of education, the current social environment is really.
Du Shouyi knew about this problem a long time ago, but there was no solution.He now has only one solution that is not a solution: practice makes perfect.See more, think more, practice more.
Zhao Mengfu said: The knot characters are different from generation to generation, but the brushwork is the same through the ages.The "yin and yang" faced by Du Shouyi not only belongs to the category of knot characters, but also a major "esoteric meaning" in Huahua calligraphy, and a solution must be found.
Du Shouyi still faces a big problem if he wants to ascend to the top: Wen.
From the end of the Qin Dynasty to the beginning of the Han Dynasty, writing got rid of a simple tool carrier and gradually formed an art, which became "calligraphy".
But in the past dynasties, have you seen a few "calligraphers" who can only write but have no literary name or fame?Frankly speaking, since 2000, there have been only three or four.
Basically, they all have official status, or are excellent in calligraphy and writing.
Since ancient times, calligraphy has been a "variety art" of literati, not an industry of glory.
Leaving aside, Mr. Qi Gong and Mr. Lin Sanzhi think so.The tombstone of Mr. Lin Sanzhi, the contemporary cursive sage, is engraved with "Lin Sanzhi, a poet", not "Lin Sanzhi, a calligrapher".
To put it bluntly, a subset of classics and history, poems and articles, or knowledge about helping the world, these are "victories".If you just say that so-and-so is a calligrapher, it is like praising him for eating well and eating beautifully.
Calligraphy is such an embarrassing thing. Calligraphy has become more and more prosperous since Li and Tang Dynasties, but it still cannot change its positioning as a "variety art" and a "skillful art".
In the future, Mr. Liu Mo said a word very well: calligraphy, 'the learned ones are not interested in doing it, and the uneducated ones can't do it well'.
If you think about this sentence for a while, you will understand that calligraphy is actually excluded from learning. What a "literary man" relies on to establish himself is knowledge, not just a good calligraphy.
Du Shouyi was not worried about this. He had studied knowledge in his previous life, and he had accumulated a lot of knowledge.
The system has also started to supplement his 'cultivation' long ago.Not to mention airborne mathematics to make up for shortcomings, last month he was rewarded with advanced "writing" skills, which allowed him to blossom in both arts and sciences, and go further on the road of learning.
At first, he thought that this skill was for sticks, but then he slowly discovered that it was given to him by the system.Hugging grass and beating rabbits can also benefit from sticks and terriers.
The system also rewards Meticulous Paintings.Music, chess, calligraphy and painting, the face of scholar-bureaucrats.
It's fine if you don't know poetry, Xiao Daoer.Do you need to know how to write articles?If you want to be able to draw two strokes, you must at least speak well, right?
You say you are a very 'pure' calligrapher who knows nothing but writing?Hehe, bah! 'Officials' ears!
Having said that, I have to mention Mr. Liu Mo's words again. I really don't know anything, and I can't write well.
Having said that, let's digress a bit further.
Calligraphy is the art of scholar-bureaucrats.Therefore, if you want to become a book sage, you must not only write outstandingly, but also have a strong character.
Zhao Mengfu was evaluated as: No.1 after the 'King'.Note that it is 'Queen of the Great King', not 'Queen of the Second King'.The implicit meaning is that he surpassed Wang Xianzhi.What is the status of surpassing 'Yasheng'?
But even in another 1 years, he will not want future generations to honorably call him "Sage of Books" or "Sage of Subordination".
why?Zhao Songzong's own children became officials in the Yuan Dynasty. This kind of behavior has no character at all and is despised by scholar-bureaucrats.
Similar to him is Wang Duo, Shangshu in the late Ming Dynasty.Everyone is familiar with Zhao Mengfu, but not necessarily Wang Duo.How good is his handwriting?Let's excerpt a more modern evaluation.
". Those who have achieved great success in cursive skills are only three kings and one meter. The rest may be watery, or ugly and evil."
"Three Kings and One Rice" refers to Wang Xizhi's father and son and Wang Duo, and the other is Mi Fu.The rest are either 'Daoli', that is, imitation; or 'Evil Zha'.
Let's eat melons, not barrage.I don't want to discuss whether this passage is right or wrong, but it is enough to prove Wang Duo's calligraphy status.
Wang Duo's characters are also highly respected in RB, and he is known as 'the queen wins the first king'.It means that he is comparable to Wang Xizhi.But so what?
Wang Duo was the Minister of the Household Department of Chongzhen and a bachelor.Ming Shangshu was full of officials in the Qing Dynasty, and he had no character at all.Shame, stop.
Flower culture is very interesting.Sheng is a very high-level honorific, such as Shengshang, imperial decree, Shengming, etc. Only the emperor can use it in formal occasions.
But when it comes to cultural life, all kinds of "sages" are flying everywhere.The most holy, the holy of poetry, the holy of music, the holy of medicine, the holy of tea, the holy of literature, the holy of history.
All kinds of "sages", in fact, must abide by two judging criteria: one is that the skills must be unprecedented, and the other is the consideration of "strength".
It's character, not character.
We now understand that 'saint' is to do good deeds and have a perfect personality.In fact, that is not the case.Historically, the moral requirements for "sages" have been more tolerant than ordinary people. They don't have to do good deeds, as long as they are not rebellious.
In other words, it doesn't matter how many small problems there are, and you can't lose in a big way.Wang Xizhi has many flaws in his personality, but he is still a 'sage of calligraphy'.You let him make a rebellion, plan a rebellion, and become a thief?
In the history of Chinese calligraphy, there are actually many "sages of calligraphy".
Ge Hong, Zhang Zhi, Huang Xiang, Zhong Yao, Suo Jing, Wang Zhi, Ouyang Xun, etc. have all been "sages of calligraphy".These are the honorific names of later generations, and there are books to check.
But history is like a big wave washing away the sand. After 2000 years, there is only one recognized calligrapher, Wang Xizhi.
Interestingly, 'fans' all want their 'idol' to be number one, but 'Yasheng' has not many people.In the history of books, there are only three people who have ever been recognized as the "sub-sage", and they are all referring to Wang Xizhi.They are Zhang Zhi, Wang Xianzhi and Yan Zhenqing.
Zhang Zhi is actually very good.Wang Xizhi said that compared with Zhong Yao, his own characters are "resistance", that is, they are shoulder to shoulder.But compared with Zhang Zhi, he is a "flying geese" and can only follow behind him.
Just because Zhang Zhi is so awesome, later generations asked him to be a full-time 'Grass Sage'.Otherwise, he and Wang Xizhi would have nothing to discuss.
Needless to say, Wang Xianzhi, "the second generation of saints", has always been called "two kings" together with his father.
This person is also a "tsk tsk tsk" person, but he is truly worthy of the title of "sub-sage".In the Song Dynasty, five of Wang Xizhi's calligraphy were replaced by one of Wang Xianzhi's, which shows that his calligraphy was more popular than Lao Daddy's at that time.
The last one is Yan Zhenqing, and his road to becoming a saint is a bit 'bumpy'.
Why did Yan Zhenqing become the 'Asian Sage'?He is the founder of Tang Kai?No, the creator of Tang Kai was Ouyang Xun.
So Yan Zhenqing's handwriting is so good?Nor is it.On the contrary, Yan Zhenqing's calligraphy was not valued in the Tang Dynasty. The evaluation of Yan Zhenqing in the Tang Dynasty was between the first and second-rate calligraphers, and maybe even lower.
At the end of the Tang Dynasty, Dou Yan (ji) wrote a book "Shu Shu Fu", which listed a total of more than 270 calligraphers from the Zhou Dynasty to the Tang Dynasty. Xu Hao, Cai Youlin, etc. in the same period were all listed, but there was no Yan Zhenqing. .
Yan Zhenqing was born in [-], and Dou Yan died in [-]. Both were officials in the same dynasty, and they both learned calligraphy from Zhang Xu.
So you say that their lives have never met, and Dou Yan doesn't know Yan Zhenqing at all?This cannot be justified.It can only be said that the title of Yan Zhenqing's book was indeed not obvious at the time.
Yan Zhenqing was rarely mentioned in various essays, book theories, and famous critics in the late Tang Dynasty.Yan Zhenqing's characters were not included in "Chunhua Ge Tie" during the reign of Emperor Taizong of Song Dynasty.
In fact, Yan Zhenqing was not very satisfied with his calligraphy. In his later years, he lamented that he was busy with being an official all his life, so he didn't calm down to practice calligraphy properly, which was delayed.
Maybe even he himself didn't realize that he became the representative of another brushwork system besides Wang Xizhi.
In the future, there will be two schools of calligraphy in the calligraphy world, and the roots can be traced to: "Fangbi" evolved from the official script method, and "Yuanbi" evolved from the Zhuanshu method.The representative of the former is Wang Xizhi, while the representative of the latter is Yan Zhenqing.
It is gold that always shines.In the Song Dynasty, beginning with Han Qi, Ouyang Xiu, Fan Zhongyan, Cai Xiang, Su Shi, Mi Fu and other Song masters highly praised Yan Zhenqing.
Su Dongpo once said: Poetry is as good as Du Zimei, literature is as good as Han Tuizhi, calligraphy is as good as Yan Lugong, and painting is as good as Wu Daozi.His evaluation of Yan Zhenqing has been on par with the saints of poetry, literature and painting.Yan Zhenqing was later honored as the "sub-sage", which was also triggered by this passage.
Yan Zhenqing's handwriting did not begin to "show the sage" until the Song Dynasty, but his personality charm surpassed it before.He is one of the most loyal ministers in Chinese history, and he is loyal.
There is a line in Wen Tianxiang's "Song of Righteous Qi": "For Yan Chang's tongue".It was about the deeds of his cousin Yan Gaoqing.During the Anshi Rebellion, the 65-year-old Yan Gaoqing guarded Changshan with his son.After the city was broken and captured, he would rather die than surrender, scolded the traitor Shi Siming, and was finally killed by hook tongue.
Yan Zhenqing asked his nephews in the family to search for the bones, but in the end they only found one foot of Yan Gaoqing and a piece of skull of his son Yan Jiming.In addition to grief, Yan Zhenqing wrote the "Second Running Script in the World": "Manuscript of Sacrifice to Nephew".
28 years later, Yan Zhenqing was also "mighty and unyielding" and died at the hands of Li Xilie, the rebel governor.
In terms of calligraphy and style, it is impeccable to call Yan Zhenqing a sub-sage.There are two unattainable peaks in Huahua calligraphy, one is Wang Xizhi and the other is him.
Of course, this is just nonsense on the Internet, let's just listen to it.
(End of this chapter)